This is the companion page to the article "A digital waveguide based approach for Clavinet modeling and synthesis", published in EURASIP Journal on Advances in Signal Processing, vol.1 2013:103
Audio examples produced with the Clavinet synthesizer are provided to the reader as well as sampled tones.
SAMPLED TONES:
SYNTHETIC TONES:
- Synthetic acoustic model (no pickups, no amplifier, good yarning): C2 - C4
- Synthetic acoustic model (no pickups, no amplifier, bad yarning): C2 - C4
- Synthetic acoustic + Pickup model (pickup B): C2 - C4
- Synthetic acoustic + Pickup model (pickup A): C2 - C4
- Synthetic acoustic + Pickup + Tone Switch model (pickup B - SOFT): C2 - C4
- Synthetic acoustic + Pickup + Tone Switch model (pickup B - BRILLIANT): C2 - C4
- Synthetic acoustic + Pickup + Tone Switch model (pickup B - ALL): C2 - C4
Please Note: bad yarning is simulated with loss gain = 0.98 after release. Good yarning is simulated with loss gain = 0.7 after release. All the samples including the pickup model simulate bad yarning.
- Improvisation in Pure Data. Includes the entire model, pickup B, tone switch configuration: Brilliant+Soft. Includes a short staccato phrase and two phrases showing mute bar enabled or disabled (loss gain = 0.8 for the mute bar enabled).